'His House' review: A well-acted refugee thriller Los Angeles Times

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It notes that Simpson’s personal property had been placed into a revocable living trust created in January. The will, unlike the trust — which has not been made public — does not detail Simpson’s assets or his wishes for any possessions left behind. For the families of Nicole Brown Simpson and Ronald Goldman, it has been nearly three decades of court fights, painstaking forensic accounting, detective work and, ultimately, frustration. The hottest stories ripped from the headlines, from crime to courts, legal and scandal.

Birkin bag thieves prowl L.A.’s rich neighborhoods, fueling a bizarre black market

The house they are given is in a terrible condition, and their caseworker Mark (Matt Smith) lists even more rules that they have to follow. Despite all this, Bol and Rial are optimistic and begin hoping to start living their lives normally again. Nyagak’s death looms like an ominous shadow over their plans. But eventually, it all feeds into these two individuals’ own conceptions of where and how they fit into the world, and whether they can reconcile their past with their present.

Anne Heche’s ‘insolvent’ estate cannot settle debts, actor’s son claims in legal docs

Bonjean slammed the trial as “blasphemously unfair,” claiming the prosecution also relied on “bad act evidence,” similar to the New York trial which saw three women testify before the jury with allegations that weren’t connected to the case being tried. LA Judge Lisa Lench later denied Weinstein’s request for a new trial as the former Hollywood producer maintained his innocence. The Los Angeles conviction saw Weinstein sentenced to 16 years in prison in February 2023 for raping an Italian model, who was identified as Jane Doe, at a film festival in 2013. In 2018, the Goldmans sought money that Simpson had been paid for signing jerseys, helmets and posters from “The People v. O.J. A judge said at the time that they’d have to identify exactly who paid Simpson in order to go after the proceeds. After the civil judgment was handed down by the court in 1997, Simpson said he didn’t have the money to pay them.

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Unseen footsteps thunder — thump-thump-thumpthumpthumpTHUMP. Husband and wife have sudden, ghostly visions of their treacherous ocean crossing. It would have been easy to turn these into standard-issue jump scares, but Weekes consistently finds new ways to present familiar devices. So we get the whole frightening-figure-suddenly-emerging-behind-our-hero thing, but it’s done in such a way that you never expect it. The director even manages to give a new spin to the usual interplay between now-you-see-it darkness and wait-where-did-it-go light.

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But those frights can sometimes feel like a distraction, a display of showmanship that doesn’t feel deeply rooted in the characters’ psychological torment. So are the occasional reminders of that ocean crossing, replete with hallucinatory imagery of rotting zombies and rolling waves — a grim, effective reminder of the migrant crisis’ human toll that pays off poignantly at the story’s close. You suspect, of course, that the demonic entity on the premises — whom Rial refers to alternately as “a beast” and “a witch” — would follow them wherever they went. Just when we think we know where the story is going, and that we understand its characters and the source of their trauma, “His House” takes an unexpected turn that casts one of its protagonists in a different light. It’s the one time where reality becomes even more disturbing than any supernatural element, muddying the waters on how we feel about everything that has come before.

Nicole Kidman on making ‘Birth’ and why she chooses films that aren’t a ‘soothing bath’

Early on, we see the warmth and ease between Bol and Rial, which gives their eventual alienation from one another a tragic quality. The delicacy with which Bol touches the walls of their new house — despite the fact that the place is a decaying trash heap — conveys the care he hopes to give to it, as well as his fear of upsetting the gentle balance of this new life. Also, their strange new milieu is often scary enough without any assistance from ancient witches. Lost in a desolate, mazelike corner of the neighborhood one day, Rial asks for directions from a group of teens, only to be mocked and told to “go back to Africa.” That the kids themselves are Black just adds to her sense of disorientation and fear. The Majurs are refugees from South Sudan who escaped in the tragic boat accident shown in Bol’s nightmare.

He received pensions, including from the NFL and the Screen Actors Guild, which were protected from seizure under federal law. Judge Cynthia Valenzuela has been a judge on the California State Bar Court in Los Angeles since her appointment by the California Supreme Court in 2016. Before that, Judge Valenzuela served as an Assistant U.S. Attorney in the U.S.

“You’re basically dealing with household items that I can assure you are in your house — furniture, cabinets, TV sets ... Stuff that’s in an ordinary house,” he said of Simpson’s possessions. Debts and charges of an estate must be paid out in a particular order and, under Nevada law, the Goldmans’ claim would, in theory, be disbursed after first paying the expenses of administering Simpson’s estate and any medical and funeral costs. Legal experts said the death of Simpson — who had fought efforts to pay the judgment — offers a new window for the families, but they still face what could be a lengthy battle. Simpson’s death last week opened a new door for the families to finally collect.

Even when the girl’s actual mother returns and starts screaming for her, he doesn’t let her go. It is this the punishment for this crime that has come after them to London. The apeth reveals to Rial that she can have Nyagak back as long as she cuts open Bol’s flesh, which would allow it to physically hurt him. Bol desperately wants to assimilate into British society, but Rial hasn’t yet been able to give up on her life back home. As part of your account, you’ll receive occasional updates and offers from New York, which you can opt out of anytime.

We’re in fantastical territory but Weekes keeps one foot in the real world throughout. The haunting that takes place is one that’s tied to something that feels tangible, not only grief over the death of their daughter but the devastating weight of survivor’s guilt, for the ones that were left behind or lost along the way. “His House” wastes little time in bringing about things that go bump (and worse) in the night.

His House Children’s Home is a private non-profit, faith-based organization dedicated to restoring the lives of children from newborn to 18 years of age. For over 31 years, His House has brought stability to the lives of over 20,000 children and remains a frontline provider of residential and foster care services. The organization is licensed by the Department of Children and Families, contracted by Citrus Family Network in Miami Dade and Monroe, and ChildNet in Broward County as a Residential program and child placement agency.

After being detained for a period of time, Bol and Rial are released “on probation” to a house in an unnamed English city (when Rial asks someone if she is in London, the answer is noncommittal). It’s implied that a house like this, in disrepair and crawling with vermin, is a typical government rental for people like the Majurs. Their case worker Mark (Matt Smith) and his cronies keep stating that this particular house is bigger than their own houses, their voices hinting at a dark sense of entitlement. More blatant is Mark’s repeated mantra that his newest reports should “be one of the good ones” and assimilate as quickly as possible. Featuring genuine scares through every corridor, His House is a terrifying look at the specters of the refugee experience and a stunning feature debut for Remi Weekes.

As the film progresses, it is revealed that it has followed them from Africa. Both of them start having visions, and Rial, much to Bol’s horror, start communicating with this being. Trapped in a home that they can’t leave with a supernatural entity, Bol decides to fight back.

Weekes and his writers heavily draw from African mythology and folklore to create the backdrop of the film. They offer an exposition through Rial on the evil entity that has been haunting the couple. Called the “apeth” among the Dinka people, it is a night witch that comes after anyone who it thinks has stolen something precious from it. The way Rial tells the story and how it makes Bol uncomfortable indicate that Bol has done something that has drawn the wrath of the creature. Tightly wound on almost every front, His House packs an enormous emotional punch even once its scares grow stale. It brings to the surface the toll taken by the refugee experience — on mind, body, and soul — refashioning it into a unique haunted house drama, where ghosts reveal themselves far more often than they hide.